My birthday was about a month ago, and I spent three days in the kitchen cooking all sorts of delicious and unusual things. I’m editing content and getting a proper post together to put up in a day or two, but enjoy this quick timelapse until then.


My birthday was about a month ago, and I spent three days in the kitchen cooking all sorts of delicious and unusual things. I’m editing content and getting a proper post together to put up in a day or two, but enjoy this quick timelapse until then.

I bought a pretty neat house.

So this video on making Basque Cheesecake showed up in my YouTube recommendations and it looked really great. I made it tonight. Super easy, simple ingredients, outstanding finished product.




So it’s been a while, right? I’m still here, but things have been a whirlwind recently. I’ve got some really exciting stuff to share soon. I was bumped up to full-time Enterprise Systems Administrator back in February and that has kept me fairly busy. I’ll have some work-related projects to write about too. The big news will be coming at the end of May.
I’ve been reading and revisiting a lot of comics and manga recently, since I don’t have access to most of my tools and equipment right now. Gotta keep the imagination going somehow, right? I’ve got tons of projects planned and new food to cook–I can’t wait to get back in it!
Anyway, comics and manga. What a great medium, y’know? Sequential art. I believe there are ideas and feelings that can only be accurately captured in this form–the impact of visual art melding with the tension and juxtaposing serenity of literature. I’m just throwing words around, but in all seriousness, comics are really something else. They’re part of history at this point, subtly shaping the world since Action Comics #1. Superheroes found a home in monthly paperback releases, French detectives ran across the covers of their bandes dessinées, and lovable robots warmed our hearts in the black-and-white pages of tankōbon. Comics have only continued to mature and expand as an art form, eventually producing the graphic novel format that has become increasingly popular today.
But where to start? What’s good? Well, I can’t tell you that because art is a subjective medium and value is derived by the observer. However, I can tell you some of my favorites, and why they have left a lasting impression on me.
In no particular order, here are some comics that have stuck in my mind over the years.
Saga
Brian K. Vaughan and Fiona Staples

Saga is an epic modern sci-fi/fantasy adventure. Currently on hiatus. I won’t get too deep into the myriad themes this series tackles, but I will say that Saga deftly balances humor and adventure with some unbelievably heavy and oftentimes unsettling content. Complimented by a robust and vibrant art style, Saga grips you tight from the very beginning and ushers you through some of the most amazing worlds ever to be put on paper.
Bone
Jeff Smith

Jeff Smith both wrote and illustrated Bone–something not often seen in Western comics. Bone is legendary. Few other comics have won as many awards. Published from ’91 to ’04, Bone has firmly cemented itself as one of the defining contributions to comic history. Originally published in monochromatic form, full-color editions have since been released.
I first read Bone when I was around 9-10 years old–I remember the last volume hadn’t been released yet. I picked it up at our local library after I had finished every superhero comic on the shelf. Little did I know of the adventure I was soon to partake. What begins as a simple and almost goofy tale of the comically-drawn Bone cousins soon evolves into a medieval-esque plot to save the world from the Lord of the Locusts.
What stuck with me the most is Jeff Smith’s ability to maintain this almost child-like innocence and simplicity in the Bone characters, even as the world around them becomes more chaotic and forlorn during their quest.
Marvels
Kurt Busiek and Alex Ross

Not to overshadow Kurt Busiek’s impeccable writing, but the reason I keep this book on my shelf is because of Alex Ross’s sublime artwork. Every page is a masterpiece. The same could be said for any of Ross’s works, but Marvels is just my go-to example. The effort that goes into his panels in unreal. His understanding of lighting and color gives me goosebumps. His figures feel dynamic, weighty, and real. Alex Ross is without a doubt one of the greatest watercolorists of all time.
Thor: God of Thunder
Jason Aaron and Esad Ribic

Thor: God of Thunder was the title used for the 25-issue Thor series that ran from 2012 to 2014. While the whole run was exciting, the first 11 issues are the meatiest. Jason Aaron weaves a tale full of despair and anguish, with Esad Ribic’s enthralling artwork guiding us through each page. The story is fairly straightforward–a time traveler named Gorr the God Butcher has bonded with All-Black the Necrosword and has traversed the tapestry of time to slay various elder gods in an attempt to gain the power necessary to eliminate all gods across the multiverse simultaneously. Easy-peasy. So Thor (understandably) has to put a stop to all of this and teams up with his past and future selves to take down Gorr. The whole thing is just really great.
Invincible
Robert Kirkman, Cory Walker, Ryan Ottley

I can honestly say there isn’t a single superhero comic quite like Invincible. It is perhaps the most superhero comic of any superhero comic. It might actually have everything you could possible want in a superhero comic–and more! Starting with a simple coming-of-age story, Invincible eventually develops into a mature tale of love, betrayal, time-travel, and all-out intergalactic warfare. The characters are relatable, believable, and well-developed. The art style matures with the story. I could go on about Invincible far longer than anyone cares, so just give it a chance yourself–you won’t be disappointed.
Manga gets it’s own list. Manga series tend to go on for years–decades in some cases–with hundreds of chapters, multiple story arcs, and meticulously spun plots peppered with a completely unique and engaging art style. Here are some manga that I often come back to for reference and inspiration. These are books that have influenced my own art, and my approach to art.
Peace Maker
Minagawa Ryouji
![]()
I love Westerns, and I love manga. Peace Maker fills that gap nicely. Beautiful backgrounds, mature character design, and a compelling story to boot. The series is finished now, but not every volume has been translated to English yet.
Berserk
Miura Kentaro

Berserk is easily one of the most brutal comics ever created. Gore and violence are an intense foil to a story of love, loss, and redemption. I can’t say for sure that I’ve read anything else that approaches some of the darker themes of Berserk. The story isn’t finished yet, but the existing 40 volumes that have been published since ’89 are a trip. Hands-down the most detailed manga I’ve read.
Eyeshield 21
Inagaki Riichiro and Murata Yusuke

Football? In my manga? If I’ve learned anything over the years about Japan, it’s that a manga can be written about literally anything. Sports manga are actually incredibly popular and typically well received (E.g. Prince of Tennis, Kuroko no Basuke, Haikyuu, Diamond no Ace, etc etc). My favorite part about Eyeshield 21 is seeing Murata Yusuke’s art style develop and mature into the style that has helped make Onepunch-Man so popular in recent years.
Death Note
Ohba Tsugumi and Obata Takeshi

Everyone knows Death Note. It’s easy to hate on for being the first anime/manga that people new to the genre are often recommended. But, in all fairness, it is recommended so frequently because it is actually that good. A lot of manga have this issue of beginning a great story and then not knowing how to wrap it up. Death Note is a good starting place because it is complete. It is clear that Tsugumi Ohba knew exactly which direction to take the series even during it’s time as a weekly publication. Death Note shows how it should be done.
Great Teacher Onizuka
Fujisawa Tohru

GTO is a comedy-drama series in which 22-year-old Eikichi Onizuka becomes a high school teacher for “reasons” but instead finds himself looking out for his students and teaching life lessons. Onizuka grows into a more fulfilled and mature person as he helps his students overcome their problems and tackles issues within the education system. The art style is goofy and fits the comical nature of the series.
So that’s about it. This was kind of a brain dump of some things I’ve been thinking about lately, but I hope you found at least some of it interesting as well. Comics are a huge part of who I am, and I am always ready to give recommendations to anyone looking for something new to read.
More technology, art, and cooking stuff soon!
Some things I’ve drawn recently.



I’ve been interest in curing and dry-aging meats for a while, but until I saw a recipe for duck prosciutto that could be prepared in a household fridge I had never considered the possibility of curing meat in my apartment.
I’ve got a separate post in the works for the specifics of curing meat, but for now I’ll just focus on the curing chamber I built over the weekend.
So I picked up this 2.7 cu ft mini fridge from Facebook marketplace for $40. I was going to go a size smaller, but this one ending up being perfect. It’s got plenty of space for me to hang larger charcuterie in the future, including lonzino and salami. I’m fairly certain I could fit a decent pancetta in there as well. I don’t think the smaller 1.6 cu ft fridges would have enough space after taking into account the additional electronics needed and unmovable freezer section.


So one of my main concerns with this fridge was the freezer section in the top right. With this type of fridge, the chamber is cooled by the freezer. This leads to two issues: the freezer can’t really be moved, and condensation.
Most meat requires curing conditions of 55-65F, with a relative humidity of 60-75% and circulating air.
Since the fridge will be cycling on and off at a much higher temperature than it was intended to hold, condensation will build up on the freezer box which increases the overall humidity inside the chamber. This ended up not being a huge problem, but I was worried I was going to have to add a dehumidifier.
I haven’t found a safe way to move or bend the freezer box yet without causing damage, so I’m missing out on that extra real estate for now.
If you get a frostless fridge (without a freezer box, cooled externally) for this purpose, you may need a humidifier to keep the internal humidity in the appropriate range for drying meat.


Taking apart the fridge really helped while cleaning. I used a 50-50 mix of vinegar and water in a spray bottle, and later went back over everything with all-purpose cleaner. The rubber seal around the door was the hardest to clean, and was not removable with this model. There was still some discoloration of the rubber by the end, but I was able to remove any mold that had been growing while the fridge sat in storage. Everything is very clean and smelling fresh now.


I removed the internal thermostat module and soldered some wires together so that the fridge would always turn on when connected to power. The fridge needs to be “always-on” so that the new digital temperature controller I added can do it’s job properly.
I also bought a wireless indoor/outdoor thermometer with a sensor that is kept in the fridge. With this I have an additional source to confirm that the internal temperature matches up with the settings of the temperature controller. They were within ~0.2F of each other, which works perfectly for this setup. The thermometer I bought also measures humidity, which is crucial to preventing bad mold from growing on the meat.
For now I’m just using my earlier sous vide temperature controller as a temporary setup until I get some other electronics wired up for a more permanent solution. I plan on adding a BME280 temp/humidity sensor (although I have a K-type thermocouple sitting around that could work too) with an ESP8266 for wireless monitoring and control. This will all be integrated in the back of the fridge, alongside the compressor and other electronics.

So far everything is working well! I’ve got some duck curing in there at the moment as a test. As I mentioned earlier, I was worried about the condensation from the freezer increasing the humidity too much, but so far the chamber hasn’t gone over 78% and typically stays at around 66% RH. I added a computer fan to keep air flowing inside as well.
In part 2 I’ll get more into the electronics and other modifications with some better pictures and lighting. Stay tuned!

Sometimes the battery that comes with an item just isn’t big enough. For example, the 8Bitdo Zero mini bluetooth controller; this controller can be found easily for around $7 and works great with pretty much anything. The problem is that the included 180mAh battery always seems to die at the most inopportune moments. Why not use a spare 18650 you’ve got lying around to upgrade that capacity to something like 2200mAh?
As a bonus, you get those sweet techno-jank points to brag about.






Not much to this one. The longest part was waiting for the holder to finish printing (about 40 minutes). Some glue and solder wrapped up the rest. Easy 10x battery life! Additionally, it’s actually a bit easier to hold now with my big people hands.
Here’s some handy links if you want to make one yourself:
8bitdo Zero $10 – https://bit.ly/2xIFH0V
18650 holder file – https://bit.ly/2I6ZX0W
18650 3.7v Li-ion – Buy online or just salvage a few from an old laptop battery
Most of the objects I have printed so far have served some sort of practical purpose–tools, modifications, or upgrades. I’ve printed a few smaller, “fun” objects for calibration, but nothing really to just keep on my desk and admire. This weekend I tinkered with some print settings and tried my hand at post-processing a few things. The results were very informative and gave me some ideas about what to try in the future.
I found a pretty sweet bust of Gundam 00 Raiser on Thingiverse to use as my test object. I scaled it 50% of the original size. The creator said that support were not needed, but that didn’t work out in my case. I think the model would have printed fine at 100%, but I would definitely recommend supports for anything smaller. I guess I printed the “battle-damaged” version this time. This was printed at 0.1mm layer height at 60mm/s with some generic PLA. I definitely should have slowed it down a bit and checked my retraction settings again, but overall it worked out alright.


I removed the broken bits of plastic and then glued both halves together with epoxy. After the epoxy dried, I sanded the model with various grits of sandpaper, from 100 to 220. It was almost impossible to sand the smaller features and angled pieces by hand, which shows in the final iteration. After sanding I sprayed it with some Rustoleum spray primer. I tried to find their filler primer (as it was highly recommended for this type of project) but I couldn’t find any in my area. I may order some for the next time. Filler primer is usually used for 3D prints as it helps hide layer lines and other imperfections. Sanding fixes a lot of that too.


Apologies for the overwhelming HDR bloom in these shots–I wanted to show the detail and texture of the final prints but that made the background weird. Overall, I think it worked out pretty well for my first attempt. Sanding and priming definitely helped improve the appearance of the print. I probably won’t paint this one as it was just an experiment to see how smooth I could get it by hand.
You can see how the larger areas turned out much better than the smaller details–they were much easier to reach and sand. Again, this is an area that would have been improved had I printed the object at 100%.



In conclusion, sanding and priming definitely work as a quick way to improve your prints, but it helps if the objects are simple and/or larger.
Next time I want to try coating the print in some sort of epoxy (like Smooth-On’s XTC-3D) to see how that compares.
So 2 months later, my current 3D printer setup has gone through some significant changes. I’ve completed a removable enclosure, added some performance upgrades, and reduced the sound quite a bit. Dig in!

The enclosure has several benefits, including noise reduction and greater temperature stability for the printer. It is made with two IKEA Lack side tables (about $8/ea) and some 3D printed risers that allow the two to separate. The pegboard sides are only attached to the top table so that it remains removable. The front panel is just an empty picture from, also from IKEA. I moved the printer controller outside of the enclosure because space was tight, and the print bed would ram into it when printing in the far corners. It is much more easily accessible now.

The wires a still a bit of a mess after recently upgrading the auto-leveling sensor. I haven’t made time to re-wrap them since. The new sensor is a clone of the famous BLTouch sensor that I found on Thingiverse. Because this one uses a physical probe to touch each point of the bed when leveling, it is much more precise than the old inductive sensor I was using. My prints are coming out far more consistent and uniform after upgrading.
I also added some practice golf ball feet that greatly reduce noise and vibration while printing. The loudest part of the whole setup at this point is the parts cooling blower fan attached to the front of the hot end.

Additionally, I have added a small relay module so that the main system power, lights, and control board can all be managed by the Raspberry Pi. Pegboard adapters/cases to organize everything.
Some helpful prints I’ve made for my workbench below:


Thanks for stopping by! I’m looking to start printing some larger and more detailed objects now that I’ve got my settings dialed in. I’ll post some updates with the results.